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Ferium – Behind The Black Eyes


Ferium: the name alone has the word metal in it, subliminally at least, so it comes as no surprise that the quintet lays down some truly heavy tunes! But let’s rewind a couple of years here, to when I first discovered them and was surprised by their debut Reflections, an experience you can read up on…right here…I’ll wait. …ok, welcome back. Back to the present: the guys are back with their second full-length Behind The Black Eyes and I’m looking forward to sharing my thoughts on it with you guys!

Essentially, the Israelis have not changed their style a lot and remain true to their groove-infused modern death metal…but it’s hard to deny that they’ve fine-tuned it a lot and everything simply sounds even more massive! Each and every riff has the potential to knock your teeth out and the drums feel like incessant cannon-fire on your eardrums.

While I don’t feel like any individual member has vastly improved in comparison to the predecessor, simply because there was little to no room left to do so, the end result is of higher quality. What I especially appreciate about it, is the fact that the band stuck to recording, producing and releasing in-house, because it gives them complete artistic freedom with zero compromises, while at the same time having enough faith in their fans to support them.

When I first listened to BTBE, I was scared that the album would be too straight-forward and lack in diversity, because that’s often a danger that bands in this genre face, but I was pleasantly surprised to find two songs among the nine tracks that do things (a lot) differently. I would consider them atmos(h)pheric almost-ballads, that just serve the purpose of building up the final two songs of the record in all their grandeur…and it works, really well.

I’ve mentioned in previous reviews that the length of an album can sometimes have an impact on my liking of it, and I find that with Ferium‘s new release, the thirty-five minutes hit the exact spot for me, since it’s just long enough to leave me wanting more but not so short that I would feel cheated out of my money, had I not received a digital review copy.

All in all, I’m impressed by the evolution the band has undergone, and I really hope that even more people will recognize them for what they are: a very promising newcomer! So, do yourself a favor and check out Behind The Black Eyes when it’s out on April 21st! And in the meantime, head over to their Facebook page and check out the video below to whet your whistle!

King Goat – Conduit


One of the biggest surprises in 2014 for me was a relatively new band from Bristol, that played a genre that I was never really familiar with, and still can’t claim to be, who simply blew me away with its atmospheric doom metal. The band in question is called King Goat and the quintet is about the release their first full-length entitled Conduit on March 25th, so naturally I’ll give you my two cents on it beforehand!

Essentially, the guys have stayed true to their genre but the two years in between the self-titled EP and this have definitely managed to make the creative juices flow in abundance. Everything sounds more mature and elaborate, and especially the riffs deliver a sense of grandeur that aid in creating a dense atmosphere throughout the forty-two minutes that can’t even be compared to the predecessor.

The one thing that is similar to the previous effort, is the build-up phase during the first two songs before exploding on the third one and maintaining it on the last two. While track one, Flight Of The Deviants, and two, Feral King, are sung completely in clean vocals and have a somewhat heavy-metalesque touch, the title track goes into overdrive with a crushing main riff and growls and screams left, right and center. It is about here where I get the chills while listening to these five tracks…and they don’t disappear until the end.

The fact that this middle track also features additional (female) vocals during the “chorus” just makes it even tastier in my opinion, because it creates even more depth. Not that the singer needs it, because he definitely shines on his own at every moment of the listening experience. Every line, no matter the singing style, hits just where it’s supposed to hit and combined with the fairly epic lyrics, it might not be the sing-along record of the year, but it’s absolutely a blast to enjoy.

To sum things up: THIS is how you make a follow-up to an EP that has received wide praise. You keep the good, you improve the not so good, and you put your heart and soul into it! Conduit does all that and then some…so be sure to head over to King Goat‘s Facebook page and listen to the song below, even though it should ideally be enjoyed along with the rest of the record, to get your metalhorns ready for the release tour in the UK!

DarkRise – Fear, Hate & Corruption

My musical journey has been a long one and I’ve undergone quite a few changes of taste but I believe that I found my “calling” in the form of post-hardcore. Despite that, I love going back to my previous loves every now and then. Today is one of those days. DarkRise is a fairly unknown Swiss death metal band that is about to release a new album entitled Fear, Hate & Corruption, which I’ve been jamming on repeat for a couple of weeks now…so logically I want to share my impressions.

At first glance the quintet plays fairly “classic” death metal, but the more time you invest in listening to them, the more you are confronted with technical aspects and the ever-so-present groove that flow through the ten songs. Don’t get me wrong: there are far too many blast beats and double bass assaults to even start counting them, but at no point does it devolve into mindless hammering. Ferocious fast-paced riffs go hand in hand with intricate solos and playful licks, giving your ears plenty of opportunities to discover the record a bit further on every playthrough.

The vocalist delivers a fairly diverse performance, covering all the different styles that are generally present in the genre, without any problems. In terms of lyrics, I’ll let you take a wild guess by looking at the title of the album…nothing new, but it doesn’t bother me personally.

To be honest, I wasn’t too convinced by the sound of FH&C, but at the time of writing this, I wonder what kind of substances I must have been on…because everything is exactly how it’s supposed to be: the guitars spit fire, the bass is earth-shattering, the drums make your bladder lose water and the vocals will block the wind to your lungs. Add in a healthy dose of lo-…hate, I mean, and in unison they form Captain Headbang!

All in all, DarkRise certainly don’t reinvent the wheel at any point during these forty-six minutes…but they do deliver a record worthy of your attention! So be sure to listen to the song below and do the usual social media routine on their Facebook page! Fear, Hate & Corruption is out on March 19th!

Sleepers’ Guilt – Kilesa


It’s been almost three years since one local band underwent a line-up change that made them go from “OK, I guess” to “Nice, I do declare!” in my book. This change was in the form of their lead singer, who was previously of the power metal variant, but was replaced with a growler and thus changed the entire dynamic of the quintet…if you haven’t figured it out yet, I’m going to write about Sleepers’ Guilt today! The guys are about to release their first full-length, or should I say overfull-length, called Kilesa on February 27th!

While the line-up is the same as on the 2013 released EP Road Of Emptiness, this marks the first real release in the current line-up, since the aforementioned record was written with the ex-singer in mind and even though it worked out quite well in the end, you can definitely tell what the true potential of the new sound is this time around. While the Sleepies are staying true to their symphonic and melodic roots, the songwriting is a lot heavier this time around, and almost a one-eighty degree turn, because instead of having the occasional mosh-worthy part among the progressive tunes, these thirteen songs are almost non-stop headbang extravaganza.

But fear not, SG have not descended into bland death metal or hardcore or whatever you’re picturing right now…no, no: they created a, in my opinion, perfect blend of brutally heavy and dreamy melodic parts. If I had to explain it to a stranger, I’d say that they sound like Amon Amarth, but with actually well-written and diverse songs. There’s one for the album sticker, people.

In the opener I mentioned that Kilesa was an overfull-length album…let me delve into that a bit more: the crowd-funded record is a double album which amounts to a total playtime of seventy-eight minutes! Ambitious, to say the least. Ingenious too, though. In order to avoid boredom and repetition, the second half of this opus, is a concept album that features guest vocals of Noémie Leer, of Elysian Gates, and that has a slightly more orchestral and progressive feel to it. The three songs are all around the ten minute mark and provide a wonderful listening experience.

However, this zest for action also has a negative side to it…at least for me. I am simply not a huge fan of albums that are almost as long as a friggin’ movie! I always try to listen to a record at least twenty times before reviewing it…but with a playtime like this, it’s a sheer impossibility. Maybe I’m showing signs of the fast-food society we live in, but I fear that it’s just too long for some. …and that’s what she said.

In all seriousness and in closing: Kilesa is a brilliant work of art that will capture everyone that takes the time to be absorbed by it. And if you are, like me, apprehensive about the playtime…take it one disc at a time. Trust me, it’s worth it. You can visit Sleepers’ Guilt‘s Facebook page for more information, watch the video below for a first impression and last but not least, swing your butt to KuFa on Saturday for the release show of Kilesa!

The Majestic Unicorns From Hell – A Matter Of Less In More


“How can less be more? It’s impossible. More is more.” Never has this sentence been more accurate and more false at the same time than in the intro of the new record by a band that is definitely in the top 4 of all the instrumental bands that we have here in Luxembourg. I’m a terrible liar: it’s actually on the new record, A Matter Of Less In More, of, hands down, my favorite one of the genre: The Majestic Unicorns From Hell. The band that is guaranteed to cure any illnesses you have in exchange for a hefty dose of tinnitus and whiplash. So let’s dive in before the actual release date of February 12th!

When I reviewed their debut, Valde Purgamentum, in 2013 my first reaction was “holy fuck!”. Well…not much has changed in that regard this time around, except that the sentence was slightly more articulate, in the form of: “holy fucking shit, they did it again, those bastards”. Mainly because, as stated in the intro, the quartet followed the recipe of more is more: instead of just cranking those dials to eleven, they yanked them to forty-two, sixty-nine and finally six hundred and sixty-six.

The intensity is constantly present and each musician explores the limits of the sonic spectrum in their own regard, be it in speed, technicality, atmosphere or groove. And let me tell you something about these ten songs: the groove is strong in this one! But, here’s where the Teenage Mutant Music Turtles also contradict themselves! Less is sometimes more, because the number of songs and the playtime of thirty minutes is definitely less than on the predecessor…but it works, it works so damn well!

Level with me here: I think my playcount of AMOLIM (so catchy!) is probably close to fifty times, and I still feel like I’m listening to the soundtrack of a movie! I can’t really tell you which type, because it ranges from psycho thriller, to horror flick, to seventies porno, but the atmosphere is always palpable. A very good example of this cinematic feel is on the song Green Thursday Mr Beast, during the last two and a half minutes when this riff sets in that just screams despair and I picture a 28 Days Later-like scenario where humans are being chased by zombies, before erupting into an almost catatonic melody interlaced with a sampled speech, giving me a feeling of hope. Pure joy.

To sum things up, I can without a doubt claim that the magical equestrian beasts from the very deep south have not only outdone themselves this time around, but also hands down found their sound and I’m confident that, with a bit of luck, their future will be a bright one…and if not…remember: less is more! If I managed to spark your curiosity, be sure to head to their Facebook page and don’t forget to listen to the new TMUFH album below! But beware: you touch, you buy! Thank you, come again! Oh, and if you like what you just bought, be sure to move your sweet cheeks to De Gudde Wëllen this Friday, where the fellas will play a concert that somehow coincides with the release of new music…but it’s not a release show, I swear.

Sliver – No Idols/No Icons


The way I choose what to review is pretty easy: if it’s national, I’ll most likely write about it and if it’s an international one whose previous album I liked, they’ll probably also be featured on here. There are of course a couple of exceptions but that’s the, albeit slightly unfair, modus operandi. Well, with that said: Sliver are definitely a band that impressed me with their 2012 endeavor Disobey Giants, and they’re about to release the follow-up, called No Idols/No Icons. So here’s my two cents on it!

Essentially, the Belgo-Franco-Luxembourgish potpourri plays punk, but of a very experimental kind, where you can find screamo elements, as well as some hardcore (punk) ingredients, which all come together nicely and thus provide an enjoyable listening experience. While I do feel that the quartet has found its definitive sound this time around, thus being more concise in its execution, there is still enough variety to go around for everyone.

Returning listeners be assured: many “trademark” aspects from their previous records have found their way into these eleven songs, so the megaphone screams and socio-critical themes will still provide you entertainment and/or food for thought. The greatest improvement to me, however, is the more straight-forward songwriting, because it makes the different songs a lot more memorable. I also feel like the production has become cleaner, making it easier to distinguish the individual instruments…but that might just be my imagination.

The thirty-seven minutes also feel like they pack a tad more groove, and therefore danceability (read: moshability) plays a big part too. The vocal performance has remained at its previous high level and, even though the singer jokingly berated me that it was impossible when I mentioned it in my previous review, the lovely Frenglish accent is also still present. Add to that the truly fitting quoted interludes, and you have a well-rounded package.

All in all, not only have Sliver proven to me that getting into their music a while ago was definitely worth my time, but also that sticking to them was the right choice. NI/NI is a fairly diverse work of art with a lot of strong messages, and a fitting musical backdrop as its medium. So, do yourself a favor and listen to the song below and head over to the guys’ Facebook page if you want to keep up with their future! Last but not least, as you’re reading this, the entire album will be available on Bandcamp, so head on over and give it a proper listen!

The Filthy Broke Billionaires – In God We Trust, The Others Pay Cash


A new year means new releases to look forward to, which is always nice…even more so when it’s a national release! The start of the annual Luxembourgish releases is made by the fairly new band The Filthy Broke Billionaires, that has their debut EP In God We Trust, The Others Pay Cash in tow! And I’m happy to give you my two cents on it before its release on January 15th!

While the band itself has only been around for about a year, all of its members are experienced musicians that wanted a change of scenery I guess, which is why they play something akin to classic rock, with a few hints of blues thrown in for good measure. The quartet has a fairly elementary line-up, comprised of drums, one guitar, bass and vocals, making the five songs a fairly easy listening experience that never throws too much to handle at you.

However, this approach doesn’t entail a boring nineteen minutes, at all! Especially the guitar has some tasty parts that stand out quite a lot, mixed with the tight interplay between bass and drums and the powerful yet soulful female vocals, the time flies by without you even noticing it. The only gripe I have is the fact that the production is fairly old-school and could use a bit more of a punch in my humble opinion…but then again, I believe that the classic sound was one of the main ideas behind the EP.

All in all, I have to say that classic rock isn’t really my thing at all…but after going through IGWTTOPC about twenty times, the EP has definitely grown on me. Personally, I probably won’t have this on repeat until the day I die, but I can absolutely recommend giving it a fair listen! The band will be hosting a release show at Rockhal this Friday, so be sure to head on over if you like what you hear and in the meantime head to their Facebook page for further information! Read you soon, until then: have a good one!

Top 10 2015 by Yannick

This year has been a lot different than all my previous years at El Gore since, as you might have noticed, I’ve stopped the weekly content as I have lost a lot of my passion for writing reviews. However, I really wanted to share my top 10 with you guys, since it’s been a pretty good year for music, especially post-hardcore. So, without further ado, I present to you my little list for 2015!

#10 We Are Harlot – We Are Harlot

I must admit that I was fairly bummed out when Danny Worsnop left Asking Alexandria, but when I heard the record of his new band, all that went away! It’s a truly solid hard rock debut and I’m curious to see what the quartet has in store for their next release!

#9 Oranges -Taxonomy

A very promising newcomer in the post-hardcore genre, that is signed to the almighty Blue Swan Records, who just released their debut that is very reminiscent of the early 2000 emo stuff. Definitely worth checking out!

#8 Sleeping With Sirens – Madness

It is no secret that SWS‘ previous record Feel was by far the weakest one in their catalogue. But this new record improves their track record by a long shot, since Madness might even be considered their strongest one!

#7 Trivium – Silence In The Snow (review)

Trivium is one of those bands that never rests on its laurels, always striving to further improve and refine its style. Their new record simply dropped all screams and still manages to sound so much like Trivium, that it’s scary. Check it out!

#6 Lamb Of God – VII: Sturm und Drang

I have a weird history with Lamb Of God…every time they release a new album, I almost can’t listen to their previous one anymore. It is no different with number seven, since it does something that the band has never done: feature clean vocals! Other than that it’s simply on your usual LoG level!

#5 Counterparts – Tragedy Will Find Us

Without a doubt, the kings of melodic hardcore have yet again released a record that has all the ingredients to make it a good one: melancholic lyrics, a heartfelt vocal performance all throughout and great instrumentals!

#4 I The Mighty – Connector (review)

I The Mighty were one of my favorite newcomers in 2013, and I was very excited when they announced a follow-up to their debut…needless to say that it hit all the right spots for me, making it a superior album in all aspects.

#3 August Burns Red – Found In Far Away Places (review)

Ever since Constellations, August Burns Red has continued to impress me more and more with each record, and while FIFAP doesn’t surpass its predecessor, it’s still a very strong record and you should absolutely give it a listen!

#2 Eidola – Degeneraterra (review)

Another Blue Swan Records being in this top 10 shouldn’t come as a surprise. But what Eidola managed to achieve with this second full-length is something that one must experience oneself…it’s a journey from start to finish. A definite must for post-hardcore fans!

#1 Bring Me The Horizon – That’s The Spirit (review)
Dance Gavin Dance – Instant Gratification (review)
Slaves – Routine Breathing (review)
Secrets – Everything That Got Us Here

It’s seems to be a recurring theme by now…since I literally can’t decide on just picking one numero uno. These four records should be in every music-lovers collection, since they do everything right. Give them a shot at all cost!

I’m really excited to see what 2016 holds in store for music and me, and I hope to see you guys there!

That’s all folks!


The time has come to put an end to El Gore…at least partially. When I joined in June 2012, I discovered a real passion for writing reviews and I have since written close to two hundred of them (195 to be exact). Sadly, that passion has slowly faded these past six months, and while my main goal was to keep at least weekly content a thing on here, simply because I like routine and it’s always good to know that there’s a fresh album waiting for you to be discovered on each Wednesday, but my favorite pastime has become more and more of a chore for me.

However, I do not have the heart to just drop everything I’ve built over these, almost, past two years, where I’ve been doing this as a one-man-show, completely. Which is why I’ve decided to keep the machine going, but simply post reviews at random intervals while still keeping Wednesday as the general day for them to go online.

The main goal of El Gore, when it was founded in 2011, was to support the local scene, so you can still expect reviews of every local (metal/rock/punk) release and for the rest, it will most likely be just new albums of bands that I really love or the occasional “holy shit, check this out” review.

To be honest, I don’t know how long I will go on reviewing, but my aim for now is to at least get to the five year anniversary (October 4th 2016). And who knows…maybe between now and then, the passion will return and El Gore will return to its former glory. Never say never.

Either way, I would like to thank all the bands, musicians, readers and contributors who have helped make El Gore what it is today!

Yannick

Devil You Know – They Bleed Red


Quick fact about myself: ever since I got into Killswitch Engage around 2009, I’ve become quite a huge fan of their music. Naturally, I was a bit devastated when their singer Howard Jones left the band in 2012 due to medical reasons. It turned out to be be a blessing in disguise, when their original vocalist eventually returned to the band, but that’s the point of this story. Jones was officially no longer in the music business, and I was quite saddened because I consider him to be one of the most unique and strongest singers in metalcore. Fast forward to 2014, when I learned that the man himself was back with a new band called Devil You Know, who were about to release their debut record, The Beauty Of Destruction. Despite my high hopes for the record, I wasn’t really convinced by the instrumental side of it, since it was a bit generic and lackluster, only being above average due to the vocal performance. Little did I know that merely a year later, the quartet would surprise with a fresh album called They Bleed Red, which is the subject of today’s review!

After that lengthy introduction, I should really just cut to the chase: it’s a major step up from its predecessor! The songwriting has vastly improved and actually has numerous memorable riffs and hooks that embedded themselves in my head even after the first listen. The heavy parts are truly in your face and guaranteed to instigate many vicious moshpits as well as enthusiastic headbanging! The technical level has also definitely been raised, providing more than just mere background noise to the vocals. The same goes for the melodic side of these eleven tracks, which frankly has a much catchier aspect to it.

The fact that the production packs a by far fiercer punch than before is just an added bonus to these already neckbreaking forty-seven minutes. All this provides the perfect stage, so to speak, for the afore-mentioned vocal prowess present on this record. It goes without saying that HoJo nails it and actually delivers, what I feel is, his strongest performance to date. The amount of face-melting screams and growls on TBR just can’t be put into words, it’s that good.

To sum things up, Devil You Know have definitely saved face with their new record and proven that they are a force in the making to be reckoned with. At the time of writing this review I am, as a matter of fact, going to see them live in three days, so I’m twice as excited as before to witness their performance! Check out the song below, which admittedly is one of my least favorite on here, and visit the band’s Facebook profile for more info!