There’s no better way to start the festival season than with a live album by one of your favourite bands ever, in this case Justice‘s live performance on Access All Arenas. As a matter of fact, I’ll be rocking this year’s Rock Werchter festival once again and I’ve been able to experience the sheer power of Justice‘s live sets on that site twice, back in 2008 and last year.
The live set was recorded in an ancient Roman amphitheater in Nîmes, in best Pink Floyd manner, if you know what I’m referring to. If you ever listened to Justice’s previous live album, Across The Universe, you will instantly notice that the opener is still the same, with Genesis‘ colossal intro making the crowd go apeshit in no time! This is the best proof for the timelessness of the first album † , that was released 6 years ago.
Against all odds, Gaspar Augé and Xavier de Rosnay do not only press midi controllers every once in a while, despite the prejudices people have towards electronic-dance-music acts. It’s not like both guys are on stage pressing buttons and peeling onions additionally. The strength of this duo bases in melting both albums into one crazy multi-layered experience. No big deal, you’d say, but that’s not the secret in Justice‘s sound. The twist is, unlike any other EDM project, finding a compromise between pounding beats and a fresh, elegant attitude only Frenchman can handle. Hate’em or like’em, Justice have an unmistakeable sound and signature, which turns them into a rare jewel in an electronic scene that has fallen into disrepute due to artists who ride the maximal sound bandwagon.
† Et Justice pour tous! †