Tag Archives: Slipknot

Top 10 2019 by Yannick

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And yet another year comes to an end. 2019 has been an exciting musical year and it definitely allowed this decade to go out with a bang. As usual I put together a small list of records that particularly stood out to me, which you can either use as inspiration for a last minute gift or just to pass the time during the (boring) holidays!

#10 Andrés – Once Upon A Time In Bakersfield

Andrés is one of those artists that can’t really be put into a specific genre and so far each of his three records sounded fairly different. The style of this one appealed less to me than the other ones’, but nevertheless it still is a killer record for those sad boy moments. Also, added bonus: I got to experience him live in London this year, which was an absolute blast!

#9 Kurt Travis – There’s A Place I Want To Take You

I was very excited when it was announced that one of my favorite vocalists was finally releasing the follow-up to his 2014 solo record. The fact that it includes a studio version of one of my favorite songs (It’s You) by him, which he only performed live thus far, definitely added immensely to how much I liked this album.

#8 Sleeping With Sirens – How It Feels To Be Lost

I’ve been a SWS fan for quite a while now and I stuck to them even through their two less-stellar records, this year it all paid off because their sixth record might just be my favorite one thus far. A real retour-de-force and an absolute beast live!

#7 Fusion Bomb – Concrete Jungle (review)

While there were quite a few very solid Luxembourgish releases this year, I think it’s safe to say that Fusion Bomb trumped them all. The ferocity of their debut full-length is just out of this world and the immense success they’ve had locally and internationally speaks volumes. If you haven’t jumped into the Slam Tornado yet, what are you waiting for?

#6 Thank You Scientist – Terraformer

Despite writing reviews and “having to” listen to new music regularly, I am usually very reluctant to get into new bands. But when a friend of mine sent me the title track of this record, I immediately fell in love and went ahead and ordered it immediately. The video clip alone is worth your while, and the whole album will keep your ear holes busy for a while.

#5 Bring Me The Horizon – amo

Ever since their style change BMTH have been either loved or hated by the music scene. Their newest release saw some more musical experimentation and, at least in my eyes, it led to a beautiful result. Nihilist Blues has such a spacey vibe that when I first heard it, I had to check if I was still on planet earth.

#4 Knocked Loose – A Different Shade Of Blue

I had first properly noticed Knocked Loose in 2017 when I saw them open for Comeback Kid & Every Time I Die and they definitely delivered a powerful show, but it wasn’t enough to win me over. However, when they released the first single off their second record this year it blew me away completely. I recommended the record to friends as the most genuinely hate-filled record since IOWA, and a high-speed ride on the highway while being dragged behind the car, naked, while somebody punches you in the face simultaneously. Don’t ask.

#3 Emarosa – Peach Club

Another band that strayed very far away from their post-hardcore roots, and opted for a much more pop-orientated sound, where it absolutely paid off. Peach Club is an experience from start to finish that will have you shaking your butt and crying your heart out just minutes later. Give it a listen!

#2 Issues – Beautiful Oblivion

Headspace was a nearly perfect record, which is why it landed so high on my list back when it was released. The follow-up is something else for sure, since it lacks screams almost entirely, but this to me is the definitive Issues sound. While it is not for everyone, I would recommend a listen to everyone!

Nova Charisma – Exposition I & II
Origami Button – Button Season
Unimagined – Friendless
Wolf & Bear – Wolf & Bear EP

Continuing the tradition of the EP shout-outs: Nova Charisma is a side-project of Hail The Sun‘s Donovan Melero on vocals and Royal Coda‘s Sergio Medina on guitar that is very experimental and their two EPs are very varied releases. Origami Button is a band that really caught me with their melodic approach to post-hardcore and their EP has been in my playlist at different times all throughout the year. Unimagined is a horror-themed post-hardcore band that has a very unique vibe and is a perfect pallet cleanser. Finally, Wolf & Bear are a band that have enormous potential and it is, once again, proven on this amazing EP.

#1 Royal Coda – Compassion
Secret Band – LP2
Slipknot – We Are Not Your Kind

I said it once before: if Slipknot release a record, it is a given that it will land on my top ten somewhere. This year they managed to make it to my number one spot because We Are Not Your Kind was definitely what I wanted after a, in hindsight, mediocre fifth record. Secret Band released their second full-length by surprise on 4/20 this year and when I first listened to it on my train ride from Vienna to Bratislava, I smiled the entire time. This is, by far, the most ferocious album of the year for me, despite being with filled with utter nonsensical lyrics, and if you do not like this record, I do not like you. I kid. I think. Last but not least, Royal Coda followed their fairly good debut with an amazing album this year and it’s been on heavy rotation since its release a bit more than six weeks ago.

All in all, 2019 was a super interesting musical year, with many unlisted records from all sorts of genres that I discovered and thoroughly enjoyed. However, I am salivating when I’m thinking about 2020, because it will see the release of the tenth studio record by my favorites Dance Gavin Dance, the new Eidola record is also finally due to be released, as well as a new Every Time I Die album. Locally, most likely the new Scarred record at some point and some other interesting releases fairly early in the year. So, with that being said, I hope to be able to welcome you back next decade! Party hard and be safe!

Top 10 2014 by Yannick, Part 2

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#5 Secret Band – Secret Band

Starting part two off with another major surprise album. The band basically features all the members of Dance Gavin Dance, except the clean vocals, and holy shit does it rock! Utter craziness from start to finish…just the way I like it.

#4 Stolas – Allomaternal (review)

Continuing in the same spirit: Stolas managed to convince me as soon as I heard the first single of their new album. And the end product is just as amazing. A must for post-hardcore fans!

#3 Miss Fortune – A Spark To Believe (review)

Hands down my newcomer of the year, Miss Fortune have released an absolutely fascinating debut record. Here’s hoping that the band will go on, despite recent band-internal drama.

#2 Slipknot – .5: The Gray Chapter (review)

Must I say anything? How could this not be very high up on the list? However, it didn’t take the cake for me this year, despite awaiting this moment for six years.

#1 Issues – Issues (review)
Chiodos – Devil (review)
Slaves – Through Art We Are All Equals (review)
Hail The Sun – Wake (review)

Déjà-vu? I couldn’t decide last year, and it’s no different this year either…that’s why I don’t add scores or percentages to my reviews. I would consider all four of these records to be masterpieces in their own way. And I can strongly recommend them to anyone who might have some spare cash, each one of these is well worth your money. Trust me. If I did have to pick an absolute winner, it would probably be Slaves though; I can’t even count the number of times I’ve gone through that one.

That’s all I’m going to bore you with for this year. I hope to welcome back many of you, dear readers, next year! Until then: get drunk, stay safe and get laid! My personal highlights on the horizon are new albums by Lamb Of God, Devildriver, Pierce The Veil, Jonny Craig and Bring Me The Horizon! On the local level, the year starts with Lost In Pain‘s second album, for which I have high hopes as well! Well, read you soon!

Slipknot – .5: The Gray Chapter

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If you’ve followed my reviews for a while, you hopefully didn’t think that I would not write about today’s record. I know I did take my sweet time before getting to it, but I didn’t want to rush it in any way and soak up the new Slipknot album as much as I could before putting down the first word of what follows. Released on October 17th, a bit more than six years after its predecessor, .5: The Gray Chapter puts the Nine back in the picture after a long period of mourning and finding themselves again, due to the passing of their bassist Paul Gray.

Right off the bat, I have to say that the new material is a perfect mixture of the aggressiveness that was predominant on IOWA and the creativity as well as the variation that marked Vol. 3: The Subliminal Verses. One factor that may or may not have played a role in this well-executed fusion, was the departure of Joey Jordison, drummer and one of the main songwriters, and the arrival of fresh blood in the form of, even though unconfirmed by the band, Jay Weinberg. As I said, it is not really known if “the new guy” has contributed much to the songwriting but his different style of drumming is definitely noticeable during these sixty-three minutes. Despite being a huge Jordison fanboy myself, I welcome the change because the groove is strong with this one and the blast-beats don’t have to hide either.

In the stringed department, the bass spot is, supposedly, filled by Alessandro Venturella who I have to admit, I can’t really distinguish clearly in the mix but I guess that’s a good sign, because why change a winning team? The guitars are stronger and more menacing than ever, while at the same time bringing some of the biggest melodies the Iowans have ever come up with. Truly a genius mix, filled with experimental elements in the form of more prominent synthesizers and turntable effects, without ever losing the drive and the force.

In the two months that 5:TGC has been out, I’ve heard and read many complaints about Corey Taylor’s vocals, especially the clean ones, being too much like on the new Stone Sour stuff and to a certain extent I have to agree. Because it’s a fact. Simple as that. What I don’t agree with, however, is that that’s a negative aspect, since I don’t see the point in him changing his style for one band, if he has found a range that he’s comfortable with. You see, there’s always people who can’t let go of the past and wish that everything could forever remain the same, but at the end of the day change and evolution, especially in music, is a good thing and you, the listener, should welcome it with open arms. If it ends up not being your cup of tea, move on, or simply listen to the old material.

Moving on to the lyrics which I feared at first would be very Paul Gray-centered, with the name of the album and all, thus resulting in repetition. In hindsight, I feel almost silly for doubting the Knot, since only three out of the fourteen, sixteen including the bonus tracks, songs are clearly about him. The remaining ones are what fans are used to: metaphorical lyrics with tons of words that you’ve never heard before and catchy as hell choruses.

To sum things up, this is a phenomenal album, at least in my completely biased opinion, and easily the nontet’s most diverse effort to date. However, Vol. 3 will remain my number one, because it’s how it all started for me. If you live behind the moon and haven’t checked out .5: The Gray Chapter yet, do yourself a favor by doing so immediately and head over the band’s Facebook page for more info. For our Luxembourgish readers: mark February 2nd on your calendar, because that’s when Slipknot will hit our little country at the Rockhal! This is my last review for this year, so stay (sic) and check out our top five posts next week!
[youtube https://www.youtube.com/watch?v=XEEasR7hVhA]

Slipknot – Vol. 3: (The Subliminal Verses)

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In one of my previous reviews I said that I’d probably do another one like it, meaning that I’ll talk about the album and mix it with a bit of personal history. Since this is my tenth contribution I figured this would be a good time to do so. Which is why I’ve decided to review a record that awakened my musical hunger, which to this day luckily hasn’t been stilled, and made me really relate to it as well.

Even though I started listening a lot to bands like Linkin Park, Limp Bizkit and Bloodhoung Gang around the age of thirteen, I was never really into metal since I just hadn’t found the right thing. Then at sixteen a classmate, who happens to write for El Gore as well, introduced me to bands like Megadeth, Exodus and the likes…the stepping stone for a large musical evolution had been laid. In 2004 however an online friend sent me a new song, Don’t Get Close, by Slipknot and I couldn’t stop listening to it (fyi: the song ended up becoming a b-side). Even though I had known the band before and actually enjoyed a song or two by them, I wasn’t really into them since my taste was still elsewhere. But now, for the first time in my life I was anxiously awaiting the release of an album: Vol. 3: (The Subliminal Verses). It wasn’t until May 25th of that same year that I finally held it in my hands and listened to it non-stop. I’m not kidding when I say that by the way…I literally listened to the album at least five times a day over a period of almost nine months in a row.

Enough about me; let’s get down to business…well kind of. The 3rd album, ignoring Mate.Feed.Kill.Repeat., by the nine masked Iowans was produced by Rick Rubin and recorded in his notorious Mansion in L.A.. I’m not sure whether it is due to the change of producer, from Ross Robinson to Rubin, or due to the various side projects the band had during their hiatus between Iowa and this album but the difference of the sound can already be noticed after the first note of the intro. Even though I thoroughly enjoy the two predecessor albums, Iowa and Slipknot, this one just finds the perfect mix between heaviness and melodic parts. The production has gone through a similar change and, at least to me, this is their best sounding album.

The fourteen songs pretty much cover every aspect of Slipknot‘s sound, that fans have grown to love, and introduce new touches such as the marching percussion on The Blister Exists and The Nameless. Then there’s two ballads that were a big surprise when the album first came out; especially to people who didn’t know about the singer’s other band Stone Sour who released a ballad as a single the previous year. The thing that strikes me the most is that every single song has at least one highlight that will make you remember it.

The vocals are, as is tradition with Corey Taylor, flawless and in some parts quite creepy but in a way that you just get sucked into the song’s atmosphere even quicker. The prime example for this is the song Vermilion, which is about a stalker that follows a girl around…or at least thinks he does. Just listen to it and you’ll see what I mean. The choruses on the album are, I’d say, among the best ones that Slipknot have ever written and you’ll be chanting them along faster than you can say the album’s title three times in a row. The lyrics are filled with metaphors and less common words which I tried to figure out for ages.

All in all, this is definitely my favorite Slipknot album for a couple of reasons: first of all because it’s the album that got all of it started for me. Secondly because it’s just so diverse and well-written, ranging from neck-breaking headbang parts to goose bump inducing passages. And last but not least because it put the band, who had been written off prior to this release, back on the map with a bang. It’s pretty safe to say that this record will remain in my top 3 albums of all time until the day I die. Go ahead and check out the song below, which actually won them an Emmy, and their Facebook page.

[youtube https://www.youtube.com/watch?v=v_09wFxoaeQ]