Amazing video, hot guys and the best Guns’n’Roses cover ever. brianc1985’s comment describes it the best: “the three of them are playing 4 different songs at the same time!! how could that be possible!!” Absolutely fantastic, have a nice day!
[youtube http://www.youtube.com/watch?v=3kvJ1aceD6s]
Wrong
Wrong (2012) is a movie written and directed by French musician, director, writer, cinematographer Quentin Dupieux better known as Mr. Oizo. I’ll be honest with you, I am neither a fan of Mr. Oizo, nor did I enjoy the predecessor movie Rubber. Therefor it is no wonder that I had absolutely no expectations when it came to Wrong and I only watched it because I was staying at a friend’s house and he decided to put the movie on screen. Thank god he did! Wrong is the weirdest but best non-horror movie I have seen in 2013 so far.
The plot is about reserved Dolph (Jack Plotnick) who on one particular morning realizes that his dog has disappeared. Later on he discovers that he and his dog became part of a conspiracy which leaves him the victim of a plan mysterious forces set in motion, ostensibly for his benefit (John DeFore).
If this wouldn’t be strange enough, Dolph lives in a reversed world. On the one hand unimportant circumstances become important. Random facts like a pizza logo showing a rabbit on a scooter are flogged to death until they become significant. On the other hand Dupieux leaves the audience without any explanation about important and crucial events in the plot and the viewer, just as Dolph, becomes reconciled to the so seemed nonsense.
Right at the beginning of the movie you may cast doubt on some events but believe me, this won’t last for long and you are sucked right into the movie.
I am not sure if this is a matter of fact or only a wrong perception due to the subconscious acceptance of the paranormal and surrealistic visual narration but the uptight absurdity is kind of replaced by “simple” nonsense humour with the appearance of Master Chang (William Fichtner) in the second half of the movie. Nonetheless the important element of creative absurdity, contrary to Dupieux’ Rubber, works really well.
Wrong is a grandiose profound and bizarre nonsense comedy (with a fantastic minimalistic soundtrack) which irritates the viewer where it can. The movie is everything but mainstream but if you are into weird independent stuff you should give this a try.
[youtube http://www.youtube.com/watch?v=8HXGl7IYviM]
DillenDub – DillenDub
Here’s for something completely different. In case you’ve never heard of this band before, DillenDub (which is a clever pun for trompo in Luxembourgish) are a talented trio from Luxembourg consisting of Pol Belardi on bass and synthesizer, Jérôme Klein on the synths and Aloyse Weyler on the drums, who is also active in bands like TheCarps’ or The Majestic Unicorns from Hell.
What DillenDub actually serve is a pleasant blend of dub, mixed with some fine kraut or psychedelic elements underlined in a jazzy groundwork; you might even find a few reggae influences too. Songs like Tapir Cakewalk catch the listener’s attention from the very beginning, unfolding enough free space to slowly enter into the spell of each track. What starts slowly as an ambient, jazzy track becomes a trippy journey to what I perceive as a mild drug induced trip to lala-land, which is a very good thing.
Ford Prefect keeps the pace up, making you want to shake your moneymaker all the time, it’s just groovy as hell. I remember listening to this track for the first time and I was all upset because of the nervous synthie part but if you give this beauty a few listens it could become your potential new favourite track on the LP.
My personal favourite track is Fruity Loop. Calling it “perfect” might be a tad bit exagerated, but the synthie violins got me from the very first second. This IS my personal soundtrack to listen at sunset on the lakeside on a warm spring day, drifting along to the mellow mood of this chill masterpiece and be one with each and everything. Honestly, it reminds me of AIR during their Moon Safari period, which is very positive; AIR never sounded any better than on that album.
I will not sink in for the remaining songs and hope I made you curious enough to get DillenDub‘s self-titled debut or to see them live as soon as possible. This band has got enough potential and it would be a shame not to give credit to these talented musicians for this promising album they created!
Eric
[youtube http://www.youtube.com/watch?v=BOWNuf3yeFA]
Rock de Stéier 2013 Concert Review
Last Saturday was an occasion for celebration in Tuntange: the 10th anniversary of the famous Rock De Stéier. This local concert has its origins in 2003 and was an annual gathering of local bands until 2006 when it went on an indefinite hiatus. The Club des Jeunes Tuntange decided to call the idea back to life this year however and put on quite a show, so it was clear that we had to make an appearance and see how it turned out.
When we arrived, The Lost Ways were already playing. This trio from Germany plays a never boring and groovy kind of rock, and managed to get us interested from the get-go. Regretfully the room was still quite empty and their main audience were the Dirty Crows. This didn’t make their performance less energetic however and it ended up being a nice gig, which would have deserved a later slot.
Sadly, we arrived a bit too late and missed the first band Weakonstruction, but after talking to their vocalist for a bit it seems that it went quite well, despite the lack of a crowd.
The next band was supposed to be All The Way Down but they had to cancel and were replaced by the mighty Los Duenos Del Ska, guess which type of music they play. The seven guys seemed a bit tired from their gig the day before which led to a slower performance than usual, at least at first. As the room started to fill up this changed however and the band regained their pace to deliver the expected goodness. One highlight during their show was the guest appearance by a random stranger (or at least we didn’t recognize him), who growled in the mic and the band played a short metal interlude. If it was unplanned, we tip our hats to them.
Quentin Lagonza, the well-known Luxembourgish rock quartet, hit the stage and opened the rush hour in Tuntange that evening. At this point the room really started to fill up but, unfortunately, nobody seemed very enthusiastic and most people just stood around having a chat. The band’s melodic stoner rock with a heavy classic rock base definately deserved more. Psychedelic parts followed by heavier riffs, completed with a pinch of Led Zep topped off this performance, during which a glass of beer was certainly obligatory. After this was a good opportunity to grab a bite to eat however, but a small critique: the rather tasty hamburgers could have been a bit bigger though.
The fifth band were Thoughts Of The 4, a punk ensemble from the south, starting off with the words “rock’n roll!”, and that’s just what they did. A very solid performance based on alternative, pop rock and pop punk. Unfortunately the crowd didn’t really care about what was going on on stage, and a kind of fear emerged that the good old Rock de Stéier spirit had been lost over the years. Sum41 would have been proud of the four youngsters, at least.
As the evening progressed the Dirty Crows took the stage and managed to heat up the audience in a heartbeat, killing our fear about the old spirit’s destiny. People were dancing and screaming in the front rows and definitely seemed enthusiastic towards the four desert rockers, who rewarded them with a great rock’n’roll performance. Some technical difficulties with a guitar couldn’t interrupt the atmosphere either, although a bit of improvisation would have been fitting. But shit happens. As the Kalashnikov Blues led to pure madness, the action in the concert room was go!
The final band of the night was no one else but Scarred. What can we say except: perfect. The crowd was headbanging left and right, the devil horns were raised, the band killed it as always and the songs hammered everything down. The guest vocals during the song Idiosyncrasy by local superhero Boerdi were the icing on the cake.
The last two artists were Twisted Frequencies and Theodor but we decided to call it a night at that point and made room for the lovers of electronic parties.
All in all, the organizers managed to successfully revive the spirit of the bull and we’re looking forward to next year’s edition…please change your beer though.
Report by Yannick and Denis
Trash Monday LVIII
It seems like there used to be a serious problem of drug abuse on the Enterprise back in time. I doubt that this will be part of the new Hobbit trilogy soundtrack.
[youtube http://www.youtube.com/watch?v=AGF5ROpjRAU]
Banana Motherfucker
The movie title stands on its own and if you are into fun splatter flicks, you can easily skip the review and just buy the dvd for 4-5 euros HERE.
If you are not familiar with the Portuguese independent film crew The Clones (even though this is our third review after Papa Wrestling and BLARGHAAARHGARG!!), I am going to drop a few lines. Banana Motherfucker is commonly described as “(…) the harrowing tale of a group of filmmakers who unleash a new form of evil – Bananas! What starts off as a small scale attack becomes a total world-wide domination by this delicious fruit, resulting in about 80 deaths jam packed in 15 minutes.” (twitchfilm.com). Still not convinced? Well, I think you simply won’t like the movie then.
Banana Motherfucker (2011) again is a low-budget comedy splatter with a lot of do-it-yourself special effects/props and this time the clowns ehrm…Clones threw some really nice classic horror movie homages in. I won’t spoiler too much but every horror fan will recognize some Nightmare On Elm Street, Terminator and Jaws here, some King Kong and Cannibal Holocaust there but in the end Attack of the Killer Tomatoes probably is the most obvious one. Even zombie movies are attacked with the black guy, who dies in every zombie flick, randomly and completely out of context appearing just to die!
It is the whole concept of Banana Motherfucker which makes this 15 minute short flick that attractive. The mentioned above homages, the over-dramatized and hilarious bad acting accompanied by typical ’80s horror music. The Portuguese language with every second word being caralho (dick) and a nice filho da puta (son of a bitch) from time to time. But what I really like about the Clones and their movies is the love for detail when it comes to the death scenes. Although they are all DIY, they look amazing. There are decapitations, seperated extremities, impaled heads, eyes, guts and blood, in short everything a fun splatter needs. And the most important thing: you always have a huge smile on your face and this throughout the whole movie.
[youtube http://www.youtube.com/watch?v=tA-vcDlTmeA]
P.s. If you are afraid of ever getting attacked by fresh fruit and especially bananas you should join the Monty Python self-defense course.
[youtube http://www.youtube.com/watch?v=piWCBOsJr-w]
The Words We Use – Morals
It’s a bit slow in the post-hardcore department when it comes to new releases, so I’ve decided to write about an EP that came out in June 2012 but I’ve only stumbled upon recently: Morals by The Words We Use.
Let me just say this right off the bat: the four song (five including the hidden track) EP doesn’t re-invent the wheel or add any new elements but why change a winning team? The sextet knows how to write catchy songs and that’s what counts, in my opinion.
The one thing that stands out to me is that they refrain from using the typical mono-riff song structure that has been so dominant in the genre. Quite the contrary: every song has super melodic riffs which prevent boredom from being an issue. The drums are on an equally interesting level and round off the instrumental side quite nicely.
The vocals are provided by two different singers and leave absolutely nothing left to wish for: flawless execution from start to finish. The EP even features a guest appearance by Sleeping With Sirens‘ Kellin Quinn on the song Building Coral Castle.
To sum things up I’d say that TWWU have managed to put out a highly enjoyable first effort and I’m definitely looking forward to more stuff. I’d recommend you give this record a chance if you’re, like me, on the lookout for some tasty post-hardcore. For more info you can check the band’s Facebook page and be sure to listen to the song below.
[youtube http://www.youtube.com/watch?v=IqHhn0QvWII]
The Heavy Eyes – Maera
If one had to find a suitable common theme in order to write a review about an album, then this one’s would be a puffing, steaming and stamping locomotive, which is not rushing at all, but which puts everything out of its way. Don’t think too much of AC/DC’s Rock’n’Roll Train, because The Heavy Eyes’ blues rock is surely heavier and often something for real headbangers.
This train is not willing to take a stop throughout the 11 track long journey combining riffs, old bluesy sound and a stoner hearted engineman who relentlessly feeds the engine with hard wood. In other words: just give Tom Morello a guitar and tell him to sound like crashing a campfire party; this would be the result. The production is old fashioned and focuses on highlighting the guitars as scratchy as possible, not to forget the ever-present bass. Unfortunately the drums clearly have to take a step back, which, in the end, is forgivable. The overall appearance leaves the listener behind with one big question in his thoughts: what’s the live sound of all this? (European tour guys, maybe sometime?)
For the rest, the groove and the thoroughgoingness just makes this album one of the coolest bad ass things you lovers of the genre may have ever heard, which brings me to the vocalist, who sounds like a winching and squeaking hillbilly-like dude. He serves a performance which in the same time is damn annoying but still you can’t really complaint about, facing such sovereignty, and he just doesn’t seem to give damn – just take it or leave it. At the end of the day one could say that also the vocals are a piece of the psychedelic puzzle that casts a spell over fans of Maera. Drink some whiskey or wine and enjoy the riffs and the landscape rushing past your window.
Recommendations: Levantado, These Men Are Wolves, Abbé Faria
Trash Monday LVII
The music is pretty good and even though the video is meant as a joke I still have to show this one to you! Where else can you see Schwarzenegger handle a lot of amphetamines (oh wait…), a band playing in a whirlpool and an underwater guitar solo?
Thanks to Schaul for this one!
[youtube http://www.youtube.com/watch?v=GbtlPCbhVGw]
BLARGHAAARHGARG
A long time ago Eric from El Gore reviewed the Portuguese short Papa Wrestling which was quite a surprise for me as I had never heard of the independent production crew Clones before. They immediately got my interest with Papa Wrestling and I decided to follow them in the future. BLARGHAAARHGARG is the group’s second short movie with the production starting back in 2010. This flick is a complete independent movie and was mostly financed by selling Papa Wrestling DVD’s and secondhand clothes at the Lisabon flea market.
The story is short and simple. An exterminator upsets some chemicals during his job in a lab. The chemicals get in contact with his nasal mucosa and after he blew his nose, a hungry and destructive snot-monster evolutes out of his bogey. That’s all and I don’t know about you but I don’t need more.
BLARGHAAARHGARG is that kind of movie title to which I am attracted like flies are to dog shit. The movie itself is abolutely genious with the exact amount of slapstick and black humor. The monster is a cheap paper mache construct but not less wonderful and sympathetic as a lot of the known, independent puppet, paper mache, body-suit monsters from the past 80 years. The special effects are exactly my taste: slimy, gory honest and handmade with great sound effects rounding everything off. One thing I really appreciated is around 9:58 min. This typical ’80s and ’90s series armament in the style of the A-Team, Mc Guiver and even Home Alone.
The ending is completely nuts and I am still all smiles when I just think about it. I do not want to spoiler too much, I just advise you to really pay attention to the sound when the monster leaves the room. Whoever came up with this idea is an absolute genius. BLARGHAAARHGARG is a quite fucked up monster movie and you really fast get an idea in which direction this flick is going, namely in the direction of Killer Condom and co. If you are a Troma fan, you will love this (and all the other Clones movies). But in the end these guys do not simply copy Troma, they are for sure inspired by Uncle Lloydie but have their completely own idea of craziness.
To conclude, I have just seen their last masterpiece which I am also going to review in the near future. Be prepared for some awesome nonsense. I am really looking forward to seeing what the Clones’ crew has to offer. Stay independent and make some art!
[youtube https://www.youtube.com/watch?v=Ni1MrpZDjrk]